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2009年11月7日 上午11點25分05秒 King Siptah
King Siptah and his Tomb in the Valley of the Kings
King Siptah
Siptah (mer-en-ptah), who's name means "Son of Ptah, Beloved of Ptah, was the son of Seti II and Queen Tiaa. This throne name was Akh-en-re Setep-en-re, meaning Beautiful for Re, Chosen by Re. Apparently he was not very chosen, for he suffered the deformity of a club foot. His reign lasted from about 1193 until 1187 BC.
Like his father we know precious little about Siptah, though perhaps, there is little for us to know. He was probably the seventh ruler of Egypt's 19th Dynasty, though in fact he may have never actually ruled at all. He was questionably the second son of Seti II, by Tiaa, a relatively minor queen, and came to the throne because his older brother, Seti-Merenptah, died prior to the death of Seti II. However, he apparently inherited the throne while still a minor and it was his stepmother, Tausret, along with her Chancellor ("kingmaker" Bay) who actually controlled Egypt during the kings short life. Siptah seems to have died in the 6th year of his reign, after which his stepmother took full royal titles.
Like his father, or perhaps even because of his father, his tomb was entered shortly after his death and his cartouches were erased, though they were subsequently restored, possibly by Chancellor Bay but that is by no means proven.
Siptah's deformed feet
Besides his tomb number KV47 in the Valley of the Kings, Siptah is also attested to by the Bilgar stele, the burial of an Apis bull dated to the king, and an inscription at Buhen.
KV47, the Tomb of Siptah
KV47 was discovered by Edward Ayrton on December 18th, 1905 while working for Theodore Davis. However, he noted that the debris in the entrance had been partially dug out, creating a passage that subsequently filled back up. In addition, he felt, because of the bad condition of the rock, that the likelihood of finding anything of interest would be slim. Therefore, he only excavated partially down to the antechamber. Later, beginning in 1912, Harry Burton excavated the tomb for Davis, mostly working between the four pillared chamber and up to and including the the burial chamber. Yet the tomb was never really completely cleared until 1994. In addition, Howard Carter cleared the area around the tomb in 1922, discovering a few objects belonging to this tomb.
In the summer of 1994, the local Antiquities Inspectorate cleared what Burton left behind, as well as performing restoration and repair work so that the tomb could be opened for tourists. This work included cleaning and repairing reliefs, filling in gaps with plaster, fixing damaged doorways and the lintels in several chambers, as well as replacing substantially damaged pillars with limestone blocks. They laid down wood floors for walkways, and erected glass panels over painted decorations, and also installed a lighting system.
The top of Siptah's Sarcophagus
From these excavations it would appear that Siptah and possibly his mother, Queen Tiaa, a minor wife of Seti II, were both originally buried in the tomb. The evidence suggesting his mother was also buried in this tomb mostly consists of fragmentary calcite canopic equipment, along with a model coffin inscribed with the name of Tiaa and several ostraca found by Carter.
The tomb is found on the north face of a hill that divides the southeast and southwest branches of the central wadi within the Valley of the Kings on the West Bank at Luxor (ancient Thebes). It is oriented north-south running fairly straight for a distance of 114.04 meters into the hill, reaching a depth of about 13.12 meters.
Though the first part of this tomb structure closely follows that of his father, Seti II, the rear sections are somewhat unusual. The initial opening corridor leading into the tomb is in the open air, and consists of a central ramp with two stairways of cut stone blocks imbedded into the bedrock to either side of the ramp. The first true corridor descends, leading to a second level corridor. Here, we find a pair of beam slots used for lowering the sarcophagus. This corridor gives way to a third corridor that, like the first, descends once more. At the rear of this corridor are a pair of rectangular niches.
Afterwards, we find the well room that lacks a shaft, followed by a four pillared chamber The tomb continues through the pillared chamber with a descending passage that leads into the first of two more level corridors before communicating with an antechamber. Normally, we might expect to find a corridor followed by a stairway before the antechamber. A final wider corridor leads past two abandoned lateral corridors before giving way into the unfinished, transverse burial chamber. Here, a granite sarcophagus is set into an roughly finished rectangular niche in the floor just behind a transverse row of four pillars. The abandoned lateral corridors may have been meant to give into a burial chamber or storage annexes, but this work was stopped after the a corridor broke into the nearby tomb, KV32. The openings were then sealed with limestone slabs.
Do to successive floods, no decorations remain beyond the first four pillared chamber, and little exist beyond the second, level corridor. In addition, this tomb also suffered the fate of KV15, having the cartocuhes of the tomb owner removed, and later re-carved. However, here, we have little idea who originally destroyed the cartouches, or for that matter, who later restored them, though the process probably revolved around the rivalry of Ramesses II's descendents and their quest for the throne after the death of Merenptah.
On the lintel above the doorway to the first true corridor we find the usual scene depicting a scarab and ram headed god flanked by Isis and Nephthys. On the outer thickness and reveals of the door jambs are found the name of the deceased king, along with inscribed prayers to the sun god and Osiris. On the inner thickness of the door jambs is a depiction of the goddess Ma'at, winged and kneeling on baskets supported by the heraldic plants of Upper and Lower Egypt.
Siptah before Re-Horakhty from the Litany of Re
Inside this corridor on the northeast wall is a fairly well preserved depiction of Siptah addressing Re-Horakhty followed by the opening lines of the Litany of Re. Further text and scenes from these passages, including a scene of Anubis before the bier of Osiris, fill the remainder of this wall, the opposite wall, and then flow into the next corridor. On the ceiling of this first corridor we also find representations of a series of flying vultures.
Within the next (second), level corridor, along with the text from the Litany of Re, are found the 74 forms of Re giving way to two scenes from spell 151 of the Book of the Dead. On the ceiling of this corridor is found the best preserved depiction of Isis and Nephthys as kites to either side of the soul of Re.
Anubis from the tomb of Siptah
Beyond this, mostly only traces of decorations exist. For example, on the inner thickness of the door jamb into the next descending passage appears the winged figure of Ma'at, but few details are visible.
Only fragmentary painted plaster reveal that the forth and fifth hours of the Amduat were once painted upon this corridor's walls. After the well room on the back wall of the four pillared chamber, we can just barely make out a fragment of plaster that once portrayed the god Osiris in a shrine. This was probably once a double scene of Siptah making offerings to the god of the underworld, as found in other tombs in the Valley. While no other decorations survive in this tomb, there are a few red painted mason's guidelines indicating a doorway that was never cut into the west wall of the pillared chamber. It would have probably led to an annex.
the Burial Chamber and Sarcophagus
In addition, we may also make out four pairs of vertical red lines that would have marked the location for a second row of pillars within the burial chamber.
The only material item of funerary equipment found within KV47 was the red granite outer sarcophagus of Siptah. It is shaped like a cartouche, with the image of the king carved into the upper surface of the lid. He is flanked by figures of Isis and Nephthys and surrounded by a crocodile, a snake and a pair of cobras with human heads and arms. The sarcophagus box is decorated with alternating triple khekher-ornaments and recumbent jackals surmounting a register of underworld demons. This was a new composition that subsequently was used by other kings on their sarcophagi through the reign of Ramesses VI. Interestingly, there was no destruction of Siptah's name on his sarcophagus.
Otherwise, only fragmentary funerary equipment was discovered, including a calcite inner mummform sarcophagus decorated with passages from the Book of Gates and the Amduat, along with calcite canopic equipment for Siptah and his mother, calcite shabtis figures for Siiptah, and possibly a sarcophagus for queen Tiaa. All of these calcite fragments are now in the Metropolitan Museum of Art in the US.
Burton discovered bones within Siptah's sarcophagus, but it is now believed that this was an intrusive burial, probably of the Third Intermediate Period. In fact, Siptah's mummy has been identified as one of those moved to the cache in tomb KV35 belonging to Amenhotep II.
This tomb is currently open to the public.
King Siptah
Siptah (mer-en-ptah), who's name means "Son of Ptah, Beloved of Ptah, was the son of Seti II and Queen Tiaa. This throne name was Akh-en-re Setep-en-re, meaning Beautiful for Re, Chosen by Re. Apparently he was not very chosen, for he suffered the deformity of a club foot. His reign lasted from about 1193 until 1187 BC.
Like his father we know precious little about Siptah, though perhaps, there is little for us to know. He was probably the seventh ruler of Egypt's 19th Dynasty, though in fact he may have never actually ruled at all. He was questionably the second son of Seti II, by Tiaa, a relatively minor queen, and came to the throne because his older brother, Seti-Merenptah, died prior to the death of Seti II. However, he apparently inherited the throne while still a minor and it was his stepmother, Tausret, along with her Chancellor ("kingmaker" Bay) who actually controlled Egypt during the kings short life. Siptah seems to have died in the 6th year of his reign, after which his stepmother took full royal titles.
Like his father, or perhaps even because of his father, his tomb was entered shortly after his death and his cartouches were erased, though they were subsequently restored, possibly by Chancellor Bay but that is by no means proven.
Siptah's deformed feet
Besides his tomb number KV47 in the Valley of the Kings, Siptah is also attested to by the Bilgar stele, the burial of an Apis bull dated to the king, and an inscription at Buhen.
KV47, the Tomb of Siptah
KV47 was discovered by Edward Ayrton on December 18th, 1905 while working for Theodore Davis. However, he noted that the debris in the entrance had been partially dug out, creating a passage that subsequently filled back up. In addition, he felt, because of the bad condition of the rock, that the likelihood of finding anything of interest would be slim. Therefore, he only excavated partially down to the antechamber. Later, beginning in 1912, Harry Burton excavated the tomb for Davis, mostly working between the four pillared chamber and up to and including the the burial chamber. Yet the tomb was never really completely cleared until 1994. In addition, Howard Carter cleared the area around the tomb in 1922, discovering a few objects belonging to this tomb.
In the summer of 1994, the local Antiquities Inspectorate cleared what Burton left behind, as well as performing restoration and repair work so that the tomb could be opened for tourists. This work included cleaning and repairing reliefs, filling in gaps with plaster, fixing damaged doorways and the lintels in several chambers, as well as replacing substantially damaged pillars with limestone blocks. They laid down wood floors for walkways, and erected glass panels over painted decorations, and also installed a lighting system.
The top of Siptah's Sarcophagus
From these excavations it would appear that Siptah and possibly his mother, Queen Tiaa, a minor wife of Seti II, were both originally buried in the tomb. The evidence suggesting his mother was also buried in this tomb mostly consists of fragmentary calcite canopic equipment, along with a model coffin inscribed with the name of Tiaa and several ostraca found by Carter.
The tomb is found on the north face of a hill that divides the southeast and southwest branches of the central wadi within the Valley of the Kings on the West Bank at Luxor (ancient Thebes). It is oriented north-south running fairly straight for a distance of 114.04 meters into the hill, reaching a depth of about 13.12 meters.
Though the first part of this tomb structure closely follows that of his father, Seti II, the rear sections are somewhat unusual. The initial opening corridor leading into the tomb is in the open air, and consists of a central ramp with two stairways of cut stone blocks imbedded into the bedrock to either side of the ramp. The first true corridor descends, leading to a second level corridor. Here, we find a pair of beam slots used for lowering the sarcophagus. This corridor gives way to a third corridor that, like the first, descends once more. At the rear of this corridor are a pair of rectangular niches.
Afterwards, we find the well room that lacks a shaft, followed by a four pillared chamber The tomb continues through the pillared chamber with a descending passage that leads into the first of two more level corridors before communicating with an antechamber. Normally, we might expect to find a corridor followed by a stairway before the antechamber. A final wider corridor leads past two abandoned lateral corridors before giving way into the unfinished, transverse burial chamber. Here, a granite sarcophagus is set into an roughly finished rectangular niche in the floor just behind a transverse row of four pillars. The abandoned lateral corridors may have been meant to give into a burial chamber or storage annexes, but this work was stopped after the a corridor broke into the nearby tomb, KV32. The openings were then sealed with limestone slabs.
Do to successive floods, no decorations remain beyond the first four pillared chamber, and little exist beyond the second, level corridor. In addition, this tomb also suffered the fate of KV15, having the cartocuhes of the tomb owner removed, and later re-carved. However, here, we have little idea who originally destroyed the cartouches, or for that matter, who later restored them, though the process probably revolved around the rivalry of Ramesses II's descendents and their quest for the throne after the death of Merenptah.
On the lintel above the doorway to the first true corridor we find the usual scene depicting a scarab and ram headed god flanked by Isis and Nephthys. On the outer thickness and reveals of the door jambs are found the name of the deceased king, along with inscribed prayers to the sun god and Osiris. On the inner thickness of the door jambs is a depiction of the goddess Ma'at, winged and kneeling on baskets supported by the heraldic plants of Upper and Lower Egypt.
Siptah before Re-Horakhty from the Litany of Re
Inside this corridor on the northeast wall is a fairly well preserved depiction of Siptah addressing Re-Horakhty followed by the opening lines of the Litany of Re. Further text and scenes from these passages, including a scene of Anubis before the bier of Osiris, fill the remainder of this wall, the opposite wall, and then flow into the next corridor. On the ceiling of this first corridor we also find representations of a series of flying vultures.
Within the next (second), level corridor, along with the text from the Litany of Re, are found the 74 forms of Re giving way to two scenes from spell 151 of the Book of the Dead. On the ceiling of this corridor is found the best preserved depiction of Isis and Nephthys as kites to either side of the soul of Re.
Anubis from the tomb of Siptah
Beyond this, mostly only traces of decorations exist. For example, on the inner thickness of the door jamb into the next descending passage appears the winged figure of Ma'at, but few details are visible.
Only fragmentary painted plaster reveal that the forth and fifth hours of the Amduat were once painted upon this corridor's walls. After the well room on the back wall of the four pillared chamber, we can just barely make out a fragment of plaster that once portrayed the god Osiris in a shrine. This was probably once a double scene of Siptah making offerings to the god of the underworld, as found in other tombs in the Valley. While no other decorations survive in this tomb, there are a few red painted mason's guidelines indicating a doorway that was never cut into the west wall of the pillared chamber. It would have probably led to an annex.
the Burial Chamber and Sarcophagus
In addition, we may also make out four pairs of vertical red lines that would have marked the location for a second row of pillars within the burial chamber.
The only material item of funerary equipment found within KV47 was the red granite outer sarcophagus of Siptah. It is shaped like a cartouche, with the image of the king carved into the upper surface of the lid. He is flanked by figures of Isis and Nephthys and surrounded by a crocodile, a snake and a pair of cobras with human heads and arms. The sarcophagus box is decorated with alternating triple khekher-ornaments and recumbent jackals surmounting a register of underworld demons. This was a new composition that subsequently was used by other kings on their sarcophagi through the reign of Ramesses VI. Interestingly, there was no destruction of Siptah's name on his sarcophagus.
Otherwise, only fragmentary funerary equipment was discovered, including a calcite inner mummform sarcophagus decorated with passages from the Book of Gates and the Amduat, along with calcite canopic equipment for Siptah and his mother, calcite shabtis figures for Siiptah, and possibly a sarcophagus for queen Tiaa. All of these calcite fragments are now in the Metropolitan Museum of Art in the US.
Burton discovered bones within Siptah's sarcophagus, but it is now believed that this was an intrusive burial, probably of the Third Intermediate Period. In fact, Siptah's mummy has been identified as one of those moved to the cache in tomb KV35 belonging to Amenhotep II.
This tomb is currently open to the public.
2009年11月5日 下午12點16分43秒 Jungle Park Resort - Hurghada - Egypt
Jungle Park Resort - Hurghada - Egypt
Jungle Park Hurghada is a resort of endless choices on the road to Safaga, Red Sea coast. Being a water theme Park, it is coveted for its water slides, varied swimming pools, besides a multiple range of sports and social activities.
Located only at 25 minutes to Hurghada, and 20 minutes to the airport, Jungle Park Hurghada offers all the comforts of a charming Red Sea resort with a unique combination of casual elegance and affordability.
Here there is something for everyone whether you are planning an active holiday or a family vacation combined with a most exquisite theme of water sports and leisure.
The Official WebSite " Jungle Park Resort "
See Also ::::
Albatros Palace Resort
Aqua Vista Resort & Spa-Hurghada
2009年11月4日 下午6點22分35秒 Aqua Vista Resort & Spa - Hurghada - Egypt
Aqua Vista Resort & Spa - Hurghada - Egypt
The modern 4* all inclusive resort captures the best of Egyptian charm and sun-drenched warmth. Located only 7 km from Hurghada International Airport and 15 km from the city center, Aqua Vista Resort & Spa offers all the comforts of a charming Red Sea resort with a unique combination of casual elegance and affordability. Whether you are planning a romantic get-away, an active holiday or a family vacation, here there is something for everyone.
Set within the resort gardens and surrounded by 3 crystalline pools and towering palm trees, the Aqua Vista Resort & Spa has every amenity to relax and rejuvenate you, with our specialists offering treatments that skillfully blend ancient and modern practices. Let us enrich your visit to Hurghada with a memorable experience at the Aqua Vista Resort & Spa!
The Official WebSite " Aqua Vista Resort "
Gallery ::::
See Also ::::
Steigenberger al Dau Beach Hotel-Hurghada
Albatros Palace Resort
2009年11月2日 下午10點28分27秒 Seti II and his Tomb (KV15) in the Valley of the K
Seti II and his Tomb (KV15) in the Valley of the Kings
King Seti II
Seti II was probably the fifth or sixth king of Egypt's 19th Dynasty, depending on the treatment we give Amenmessses who may have ruled before, concurrently or even after him (though that is less likely). Seti (mer-en-ptah) was this king's birth name, meaning "He of the god Seti, Beloved of Ptah". He is also sometimes referred to by his Greek name, Sethos II. His throne name was User-kheperu-re Setep-en-re, meaning "Powerful are the Manifestations of Re, Chosen of Re".
It was not unusual in ancient Egypt for the successful, long reign of a king to be followed by succession problems. Of course, few kings had a longer, more successful reign than Ramesses II, and when he died, he left a son who was now old himself as the new King. This was Merneptah, who was almost certainly the father of Seti II. We believe that an usurper named Amenemesses probably ruled either before him, or concurrently with Seti II during the early part of his rule. It may have been Amenemesses who erased the name of Seti II in his tomb and elsewhere, but it was likewise Seti II who probably did likewise to the names and images of Amenemesses after taking complete control of Egypt. We believe that Seti may have only reigned for about six years, from about 1199 until 1193 BC.
We do know that Seti II took at least three wives, consisting of Takhat II, Tausret and Tiaa (Sutailja??). Tausret apparently was the mother of his oldest son and heir named Seti-Merenptah, but that child did not live to inherit the throne. Instead, it was Siptah, a younger son who replaced the king, though probably only as a child under Tausret's regency even though his mother is considered to have been Queen Tiaa. In fact, Tausret appears to have outlived this young king, taking full possession of the throne herself with full royal titles much as Hatshepsut had done some 300 years earlier.
Seti II's reign was apparently relatively peaceful. We have no evidence of foreign policy during his reign, though there was probably activity at the mines around Serabit el-Khadim in the Sinai. He made a number of claims regarding building projects, though there is little indication that his words translate into physical accomplishments. We find surviving trances of his work at Hermopolis, where he apparently finished some decorations in his grandfather's, Ramesses II, temple. He also did some work in Karnak, where he was probably responsible for a new way station of the sacred barks in the First Court of the temple of Amun-Re, and he probably also completed some work in the temple of Mut.
KV15, the Tomb of Seti II
KV15, the tomb of Seti II, has been known since antiquity and must have lied open during most of the classical period, judging from the 59 Greek and Latin graffiti found on its walls. The tomb was investigated superficially by Pococke, along with others who followed after him. However, it was Howard Carter who cleared most of the tomb between 1903 and 1904, though apparently the ritual well was never excavated. One may find the entrance to KV15, rather than having steps cut below a retaining wall, directly quarried into the base of an almost vertical cliff face at the head of the wadi running south west from the main Valley of the Kings on the West Bank at Luxor (ancient Thebes). However, at present the tomb has been temporarily closed to allow the installation of new flooring, hand rails and lighting. It is expected to soon.
The history of the tomb is really unknown at this time. It is very likely that Seti II may have originally been buried with his wife, Tausret, in her tomb and later moved to this tomb which appears to have been hastily and incompletely finished, by Sethnakht (Setakht). In fact, the tomb may have originally been started for Seti II but the work interrupted at some point. This may have had to do with the reign of Amenmeses, if that king ruled concurrently with Seti II rather than before him. It appears that within the tomb, Seti's name was carved, erased, and then carved out once again. The erasure may be attributable to Amenmeses, or possibly to Saptah. It has been suggested that his wife Tausert then had her husband's name restored.
The tomb, which takes a Northwest to Southeast axis, consists of a short entryway corridor followed by three long corridors in turn followed by a well room. The well room then communicates with a four pillared hall and then a makeshift burial chamber, formed from what would have been another corridor, where the king's sarcophagus was located.
This tomb is literally a straight shot leading 75.38 meters into the cliff face with only a mild descent for the most part leading about 6.53 meters deep, and with no lateral rooms. However, a rectangular niche on the right side of the pillared hall may mark the location where the usual annex would have been cut. Missing also is the high trapezoidal niches often found at the beginning of the third corridor.
Much of the painted decoration is intact and the plaster appears to be relatively stable. None of the well-preserved relief was ever painted. Breaks in the surface of the walls have recently been filled in by Antiquities Inspectorate restorers. Due to the hurried completion of the tomb, decorations in clearly take two forms. While those in the initial part of the tomb are well formed using both sunk and raised reliefs, they give way to less accomplished work executed in paint only deeper within the tomb, with the four pillared hall being the only exception. There, the decorations again revert to sunk reliefs, though paint was not always applied. In some of the deepest corridors, only preliminary sketches were made on the plaster surface. Throughout the tomb, even including the first corridor where we find the raised and sunk reliefs, there are stylistic differences within the craftsmanship of the work that might suggest the use of different artisans.
While the tomb may have been unfinished, unusually, the walls of the entrance were carefully smoothed and covered with a layer of white plaster, as elsewhere within the tomb. However, no decorative theme was applied to the entrance and entrance corridor walls.
However, in the next, longer corridor (Corridor One) on the doorway lintel is depicted the kneeling goddesses Isis and Nephthys, and between them a sun disk with a scarab and a ram headed god. Inscribed on the jambs of the doorway are the names of Seti II with an image of Ma'at, also shown kneeling. Within this corridor, are depictions of Seti II making offerings to Re-Horakhty and offering vases to Nefertem followed by the initial passages of the Litany of Re on the east wall. The scene of Seti II and Nefertem were cut over the original opening vignette of the Litany of Ray which was then reinscribed further down the corridor. On the west wall are scenes of Sokar and Seti II making offerings of incense and libations to Re-Horakhty. The remainder of the corridor continues with the tests of the Litany of Re. On the ceiling of this corridor we find painted flying vultures, some with the head of a cobra and not completely painted. Between the vultures the king's name is inscribed, and along the edges of the ceiling are texts relating to Osiris and Re-Horakhty.
The scenes on the next two corridors are oriented towards the rear of the tomb on the eastern walls, while on the west they run towards the tomb's entrance.
Over the outer lintel of the second corridor is found a winged disk, while on the doorjambs the Litany of Re is continued. On the walls within this corridor, the decorative theme is executed in red, preliminary sketches only. On the east wall we find Seti II making offerings to Re-Horakhty, while on the west wall he makes an offering to Sokar. The remainder of this corridor continues with sections of the Litany of Re, including the 75 forms of the sun god. Further on, we also find the second and third hours of the Amduat on both the east and west walls. In this corridor, the ceiling once again portrays Isis and Nephthys, this time as kites, on either side of a sun disk containing the ram headed bird representing the ba (soul) of Re. This scene is followed by more text from the Litany of Re. Stars were to have filled the remainder of the ceiling, but were never completely rendered.
The outer lintel of the third corridor is decorated with a winged disk, while on the door jams we find the names and a depiction of Seti II. Within this corridor, the east wall is inscribed with representations from the fourth hour of the Amduat, while the west wall depicts the fifth hour.
Within the well room (ritual shaft) the niches at the entrance are, for the first time, fully cut. Here, an innovation is the depiction of various divine statues, many imitations of actual wooden figures similar to those found in the tomb of Tutankhamun. Normally we would find the depiction of protective deities such as the Four Sons of Horus and the related goddesses, but for unexplained reasons these figures have been omitted.
Double scene of Seti II making offerings
walls within the four pillared chamber are rendered with the fourth and fifth divisions of the Book of Gates. On the rear wall is a double scene of Seti II offering an image of Ma'at and two vases to Osiris. Here, the pillars depict Seti II, Horus-Iwn-mutef, Ptah, who is in a shrine, along with other deities. The innovative decorations on the pillars, which have only one figure on each side and two adjacent sides forming a "scene, was a development used consistently from this time forward.
Scenes from within the Well Room
Finally, in the makeshift burial chamber are several registers. The upper of these contain images of Anubis the jackal on a shrine and two rows of deities representing the followers of Re and Osiris. On the lower registers are scenes of mummified figures on snake style beds representing the fifth division of the Book of Gates. Along the length of the ceiling is Nut, with down swept wings, and above her head perhaps the remains of depictions of ba of Re. James Burton tells us that:
"It seems they bought in the body before the tomb was finished and then went on working - a large figure of a Deity with outspread wings painted on the ceiling of above the sarcophagus - very rough. Some beautifully drawn figures of the king in red lines."
Not much in the way of funerary equipment was discovered within this tomb, and the body of Seti II had been removed during antiquity to the tomb of Amenhotep II (KV35), along with the mummies of other royalty, for safe keeping. Fragments of his red granite sarcophagus lid were present within this tomb, but no trance of the actual box was ever discovered. These fragments remain in the tomb, and have been restored and placed on supports so as to suggest the original appearance of the sarcophagus. On the top of this sarcophagus is an Osirian depiction of Seti II, while the goddess Nut stretches across the reverse side. Unfortunately, the top of the lid is missing, along with the face of the king. However, the head of the goddess Nut is now in the Egyptian collection at the Louvre in Paris.
Because this is the smallest of any New Kingdom sarcophagus ever discovered, it has been suggested by Aidan Dodson that it might in fact have been meant to nest within a larger sarcophagus, similar to that of Ramesses III.
King Seti II
Seti II was probably the fifth or sixth king of Egypt's 19th Dynasty, depending on the treatment we give Amenmessses who may have ruled before, concurrently or even after him (though that is less likely). Seti (mer-en-ptah) was this king's birth name, meaning "He of the god Seti, Beloved of Ptah". He is also sometimes referred to by his Greek name, Sethos II. His throne name was User-kheperu-re Setep-en-re, meaning "Powerful are the Manifestations of Re, Chosen of Re".
It was not unusual in ancient Egypt for the successful, long reign of a king to be followed by succession problems. Of course, few kings had a longer, more successful reign than Ramesses II, and when he died, he left a son who was now old himself as the new King. This was Merneptah, who was almost certainly the father of Seti II. We believe that an usurper named Amenemesses probably ruled either before him, or concurrently with Seti II during the early part of his rule. It may have been Amenemesses who erased the name of Seti II in his tomb and elsewhere, but it was likewise Seti II who probably did likewise to the names and images of Amenemesses after taking complete control of Egypt. We believe that Seti may have only reigned for about six years, from about 1199 until 1193 BC.
We do know that Seti II took at least three wives, consisting of Takhat II, Tausret and Tiaa (Sutailja??). Tausret apparently was the mother of his oldest son and heir named Seti-Merenptah, but that child did not live to inherit the throne. Instead, it was Siptah, a younger son who replaced the king, though probably only as a child under Tausret's regency even though his mother is considered to have been Queen Tiaa. In fact, Tausret appears to have outlived this young king, taking full possession of the throne herself with full royal titles much as Hatshepsut had done some 300 years earlier.
Seti II's reign was apparently relatively peaceful. We have no evidence of foreign policy during his reign, though there was probably activity at the mines around Serabit el-Khadim in the Sinai. He made a number of claims regarding building projects, though there is little indication that his words translate into physical accomplishments. We find surviving trances of his work at Hermopolis, where he apparently finished some decorations in his grandfather's, Ramesses II, temple. He also did some work in Karnak, where he was probably responsible for a new way station of the sacred barks in the First Court of the temple of Amun-Re, and he probably also completed some work in the temple of Mut.
KV15, the Tomb of Seti II
KV15, the tomb of Seti II, has been known since antiquity and must have lied open during most of the classical period, judging from the 59 Greek and Latin graffiti found on its walls. The tomb was investigated superficially by Pococke, along with others who followed after him. However, it was Howard Carter who cleared most of the tomb between 1903 and 1904, though apparently the ritual well was never excavated. One may find the entrance to KV15, rather than having steps cut below a retaining wall, directly quarried into the base of an almost vertical cliff face at the head of the wadi running south west from the main Valley of the Kings on the West Bank at Luxor (ancient Thebes). However, at present the tomb has been temporarily closed to allow the installation of new flooring, hand rails and lighting. It is expected to soon.
The history of the tomb is really unknown at this time. It is very likely that Seti II may have originally been buried with his wife, Tausret, in her tomb and later moved to this tomb which appears to have been hastily and incompletely finished, by Sethnakht (Setakht). In fact, the tomb may have originally been started for Seti II but the work interrupted at some point. This may have had to do with the reign of Amenmeses, if that king ruled concurrently with Seti II rather than before him. It appears that within the tomb, Seti's name was carved, erased, and then carved out once again. The erasure may be attributable to Amenmeses, or possibly to Saptah. It has been suggested that his wife Tausert then had her husband's name restored.
The tomb, which takes a Northwest to Southeast axis, consists of a short entryway corridor followed by three long corridors in turn followed by a well room. The well room then communicates with a four pillared hall and then a makeshift burial chamber, formed from what would have been another corridor, where the king's sarcophagus was located.
This tomb is literally a straight shot leading 75.38 meters into the cliff face with only a mild descent for the most part leading about 6.53 meters deep, and with no lateral rooms. However, a rectangular niche on the right side of the pillared hall may mark the location where the usual annex would have been cut. Missing also is the high trapezoidal niches often found at the beginning of the third corridor.
Much of the painted decoration is intact and the plaster appears to be relatively stable. None of the well-preserved relief was ever painted. Breaks in the surface of the walls have recently been filled in by Antiquities Inspectorate restorers. Due to the hurried completion of the tomb, decorations in clearly take two forms. While those in the initial part of the tomb are well formed using both sunk and raised reliefs, they give way to less accomplished work executed in paint only deeper within the tomb, with the four pillared hall being the only exception. There, the decorations again revert to sunk reliefs, though paint was not always applied. In some of the deepest corridors, only preliminary sketches were made on the plaster surface. Throughout the tomb, even including the first corridor where we find the raised and sunk reliefs, there are stylistic differences within the craftsmanship of the work that might suggest the use of different artisans.
While the tomb may have been unfinished, unusually, the walls of the entrance were carefully smoothed and covered with a layer of white plaster, as elsewhere within the tomb. However, no decorative theme was applied to the entrance and entrance corridor walls.
However, in the next, longer corridor (Corridor One) on the doorway lintel is depicted the kneeling goddesses Isis and Nephthys, and between them a sun disk with a scarab and a ram headed god. Inscribed on the jambs of the doorway are the names of Seti II with an image of Ma'at, also shown kneeling. Within this corridor, are depictions of Seti II making offerings to Re-Horakhty and offering vases to Nefertem followed by the initial passages of the Litany of Re on the east wall. The scene of Seti II and Nefertem were cut over the original opening vignette of the Litany of Ray which was then reinscribed further down the corridor. On the west wall are scenes of Sokar and Seti II making offerings of incense and libations to Re-Horakhty. The remainder of the corridor continues with the tests of the Litany of Re. On the ceiling of this corridor we find painted flying vultures, some with the head of a cobra and not completely painted. Between the vultures the king's name is inscribed, and along the edges of the ceiling are texts relating to Osiris and Re-Horakhty.
The scenes on the next two corridors are oriented towards the rear of the tomb on the eastern walls, while on the west they run towards the tomb's entrance.
Over the outer lintel of the second corridor is found a winged disk, while on the doorjambs the Litany of Re is continued. On the walls within this corridor, the decorative theme is executed in red, preliminary sketches only. On the east wall we find Seti II making offerings to Re-Horakhty, while on the west wall he makes an offering to Sokar. The remainder of this corridor continues with sections of the Litany of Re, including the 75 forms of the sun god. Further on, we also find the second and third hours of the Amduat on both the east and west walls. In this corridor, the ceiling once again portrays Isis and Nephthys, this time as kites, on either side of a sun disk containing the ram headed bird representing the ba (soul) of Re. This scene is followed by more text from the Litany of Re. Stars were to have filled the remainder of the ceiling, but were never completely rendered.
The outer lintel of the third corridor is decorated with a winged disk, while on the door jams we find the names and a depiction of Seti II. Within this corridor, the east wall is inscribed with representations from the fourth hour of the Amduat, while the west wall depicts the fifth hour.
Within the well room (ritual shaft) the niches at the entrance are, for the first time, fully cut. Here, an innovation is the depiction of various divine statues, many imitations of actual wooden figures similar to those found in the tomb of Tutankhamun. Normally we would find the depiction of protective deities such as the Four Sons of Horus and the related goddesses, but for unexplained reasons these figures have been omitted.
Double scene of Seti II making offerings
walls within the four pillared chamber are rendered with the fourth and fifth divisions of the Book of Gates. On the rear wall is a double scene of Seti II offering an image of Ma'at and two vases to Osiris. Here, the pillars depict Seti II, Horus-Iwn-mutef, Ptah, who is in a shrine, along with other deities. The innovative decorations on the pillars, which have only one figure on each side and two adjacent sides forming a "scene, was a development used consistently from this time forward.
Scenes from within the Well Room
Finally, in the makeshift burial chamber are several registers. The upper of these contain images of Anubis the jackal on a shrine and two rows of deities representing the followers of Re and Osiris. On the lower registers are scenes of mummified figures on snake style beds representing the fifth division of the Book of Gates. Along the length of the ceiling is Nut, with down swept wings, and above her head perhaps the remains of depictions of ba of Re. James Burton tells us that:
"It seems they bought in the body before the tomb was finished and then went on working - a large figure of a Deity with outspread wings painted on the ceiling of above the sarcophagus - very rough. Some beautifully drawn figures of the king in red lines."
Not much in the way of funerary equipment was discovered within this tomb, and the body of Seti II had been removed during antiquity to the tomb of Amenhotep II (KV35), along with the mummies of other royalty, for safe keeping. Fragments of his red granite sarcophagus lid were present within this tomb, but no trance of the actual box was ever discovered. These fragments remain in the tomb, and have been restored and placed on supports so as to suggest the original appearance of the sarcophagus. On the top of this sarcophagus is an Osirian depiction of Seti II, while the goddess Nut stretches across the reverse side. Unfortunately, the top of the lid is missing, along with the face of the king. However, the head of the goddess Nut is now in the Egyptian collection at the Louvre in Paris.
Because this is the smallest of any New Kingdom sarcophagus ever discovered, it has been suggested by Aidan Dodson that it might in fact have been meant to nest within a larger sarcophagus, similar to that of Ramesses III.
2009年11月7日 下午12點31分44秒 Aqua Blu Resort - Hurghada - Egypt
Aqua Blu Resort - Hurghada - Egypt
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